EDITREADY TRANSCODED GH5 FOOTAGE DARKER HOW TO
EDITREADY TRANSCODED GH5 FOOTAGE DARKER PROFESSIONAL

Same process for the clips of the other camera(s)Īll 3 methods require to be well aware what picture profile you used during the shoot. Once the color space transform is done on one clip do a stills grab and then apply it on all clips from the camera with few clicks. Never seen anybody with tutorials on youtube explain the theory and practice so logically and simplyĪpart of the color space transform values for input and output color space and gamma, you should also set Tone Mapping to Luminance Mapping. But you still will be able to pick up the principles and settings for both cameras. Wish I new this before ! The best video which explains the method and probably the most important part of color correction in Resolve is unfortunately in Russian. Including when footage is from different cameras. My productivity in Resolve jumped at least two times and results are great. This one was game changer for me and the method currently use as a first step for color grading/correction. Method 3 - Color Space Transform effect in Resolve. Used ACES method in the past to work with Sony S-Log 2 video and results were great.

EDITREADY TRANSCODED GH5 FOOTAGE DARKER PROFESSIONAL

But not always and setting the cameras each time correctly require some work and attention.įew professional colorists publishing tutorials on youtube advise against LUTs for color correction. Tried this on BMPCC 4K and Sony A7 III and it works reasonably well. Panasonic GH5 and Sony A7 series are supported. If you shoot with each camera with the settings given by the author and then apply the corrective LUTs in Resolve for each camera you will get correct colors from both cameras. Method 1: LUTs and more specifically Leeming LUTs PRO.

EDITREADY TRANSCODED GH5 FOOTAGE DARKER HOW TO

One or more cameras most people don't know how to do correctly step one. There are plenty of videos on youtube but all they go straight to the second one missing the crucial first step. If the first step is done correctly you will have very little to no work on the second one. Color match them if there are differences. Correctly interpret colors in Resolve for each camera.Ģ. There are 3 methods how to approach the task and those 3 methods are actually different ways to structure your color correcting/grading workflow in Resolve.Ĭolor matching two different cameras has 2 steps:ġ.

Editready transcoded gh5 footage darker